Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

HB 2362, Police Body Camera Legislation, in Rules Committee

 

Olympia Mayor Pro Tem Jones Testifies in Support of Police Worn Body Camera Related Legislation

By Janine Gates
www.janineslittlehollywood.blogspot.com

At Olympia’s city council meeting Tuesday evening, Mayor Pro Tem Nathaniel Jones read a statement he wrote, confirming the city's commitment to police worn body cameras. It received council consensus, and gave the city’s Ad Hoc Committee on Police and Community Relations additional guidance on its role exploring public involvement on the issue.

How little or far the city wants to go in terms of its policies around the issue is up to the community, but the camera's use and related record keeping will also be heavily influenced by state law.

Police worn body camera recordings are currently public records subject to the state Public Records Act and present a whole host of privacy issues, especially for juveniles, crime victims, and witnesses to crimes. 

While some subjects and information are exempt from the law, a 2014 opinion by the state Attorney General determined that body worn camera recordings are not generally subject to the Privacy Act, and that conversations between on-duty police officers and the public are not considered private.

A bill sponsored by Washington State Representative Drew Hansen (D-23), HB 2362, would exempt body worn camera recordings to the extent they violate someone's right to privacy. The bill has passed out of the House Judiciary Committee and is now in the Rules Committee.

The bill also requires law enforcement agencies and corrections agencies that use body worn cameras to establish policies regarding their use, and requires the legislature to convene a task force to examine the use of body worn cameras by law enforcement and corrections agencies.

The bill was the result of a year of work involving groups interested in working to develop a broad, statewide framework around the issue. The bill still allows local jurisdictions to set some of their own policies. 

Despite the efforts, bill opponents, especially those representing communities of color such as the American Civil Liberties Union of Washington, want video footage by officers deleted if it does not have accountability value. They are also concerned that footage could be used for surveillance purposes.

Others groups, such as the National Alliance on Mental Illness, the Washington State Coalition Against Domestic Violence, and the Washington Association of Prosecuting Attorneys expressed concern that the bill does not go far enough to protect individual privacy, and also believe footage could be used by law enforcement for local and national security related surveillance activities.

Olympia Mayor Pro Tem Nathaniel Jones testified in support of the bill at a hearing on January 14th, along with representatives from the cities of Seattle, Bellingham, Poulsbo, the Association of Washington Cities, the Washington Association of Counties, the Washington Association of Sheriffs and Police Chiefs, and many more.

“This is very difficult legislation….I told the committee that Olympia needs support from the Legislature to reduce the financial and legal risks associated with unresolved privacy and records management concerns. The bill is helpful but should go further in these areas,” Jones told Little Hollywood on Wednesday.


For more information about the City of Olympia Police Department, the Ad Hoc Committee on Police and Community Relations, and other Olympia police related news, go to Little Hollywood, www.janineslittlehollywood.blogspot.comand type key words into the search engine.

To track bills through the Washington State legislative process, go to www.leg.wa.gov

Olympia Police Worn Body Camera Conversation Begins


By Janine Gates

Cities large and small across the country are having the conversation about the use of police worn body cameras, and now the conversation has begun in Olympia. 

A whole range of events, actions and emotions around issues of racial injustice, implicit bias, and community policing and accountability were brought home for South Sounders, in large part due to the shooting last May of two African American young men by an Olympia police officer.

Many cities across the country and in Washington are already using body cameras, also called body cams, to varying degrees of success. Some cities have stopped their use due to burdens related to cost, records management, and the inability to respond to public records requests.

At the Olympia City Council meeting Tuesday evening, Mayor Pro Tem Nathaniel Jones read a statement he wrote about the city's commitment to police worn body cameras. The statement received council consensus, and gave the city’s new Ad Hoc Committee on Police and Community Relations much needed direction on its role exploring the issue.

It stated in part that the city intends to move forward with police worn body cameras when it develops plans, policies and revenues that will ensure the program is successful. All those elements are currently lacking.

“It is important that our program includes protections for citizen privacy, effective management…and clear expectations for officers regarding camera use,” said Jones, who acknowledged that the technology currently lacks such standards.

The Ad Hoc Committee has always had a two part mission: one, to engage the community in dialog about police issues, and two, determine how best to engage the public on the implementation of police worn body cameras. It has held several community forums, establishing a template for holding several community forums, but disassociating the topic of body cameras until now, near the end of its temporary tenure.

With the city council now expressing its clear commitment to body cameras, the group will now turn its attention to establishing a process for the issue, holding a public forum on February 18, 5:00 p.m., in a location still to be determined. 

Body Camera Issues, Technology, and Cost

The Ad Hoc Committee learned more about the issue of body cameras on Wednesday night from Laura Wohl, administrative services division manager for the Olympia Police Department. Wohl said she has spent the last five years studying the topic and educated the committee on the policy issues and costs regarding the technology. The group is also collecting information from non-police related sources.

Aspects of the issue include managing a network of additional staff and technology needed to process the camera video, using and managing software designed to ensure confidentiality of some subjects, storing that data for the required 90 days, and understanding the legal status of information captured. 

Wohl said police worn body cameras have been shown to improve reasonable behavior by both the police officer and the person they are having an interaction with, and have decreased the number of complaints about officers.

According to current state public disclosure laws, all police interactions are considered public, and police do not have to notify people that they are being recorded. Traumatic and potentially embarrassing events are recorded.

Wohl admitted the numbers were rough, but each body camera and software would cost about $1,000, with an annual cost of $10,500 for replacements. Initial camera implementation costs would be about $85,000.

The annual cost for the program would be about $472,000 when video storage costs of between $200 - $600 per month per officer are factored in, as well as three additional full time staff to maintain the system.

The redaction process to protect the privacy of some individuals would take an estimated 30 times longer than a video that does not need that work. Preparing video for the criminal justice system is another issue, as it takes time to prepare the videos for discovery, review, prosecution, and defense.

Wohl then extrapolated the work and costs needed to process video if, for example, five officers show up for one incident.

Wohl said that the Olympia Police Department received 3,602 public records requests in 2015. Responding to public records requests of video would place an undetermined amount of time and expense on the department.

Lt. Aaron Jelcick briefly mentioned the state’s body camera issues and programs in Poulsbo, Seattle, Spokane, Bremerton, and Bellingham. There, and in other cities nationwide, each city has had to outline sticky policy issues: 

What kinds of calls should be recorded? When are cameras turned on? Can an officer turn off his or her camera? How is citizen privacy protected? What if the officer sees something that the camera didn’t?  Should officers be allowed to view the camera evidence? How can the videos be used? Should detectives and SWAT team members be issued body cameras?

To provide perspective, Lt. Jelcick said that the City of Spokane phased in its body camera program over a period of 18 months, hosting over 70 community presentations with over 160 groups, and is still having issues meeting the requirements of Washington State’s stringent public records law.

After the discussion, Ad Hoc Committee members were impressed by the depth of the issues and engaged in a healthy conversation about the information they heard.

Given the somewhat overwhelming information provided, committee member Clinton Petty questioned aloud whether or not Olympia really wants or needs body cameras.

In response, Lt. Jelcick said that he believed that body cameras are going to be part of the uniform of most, if not every, law enforcement officer in the country.

“I think we are going in that direction….I think the issues in Washington State will be resolved at some point with the disclosure and technology issues, so that it won’t be cost prohibitive….I think Washington is at a difficult time to implement this technology. We recognize that and as we go through this process, part of the discussion may be, ‘Yes, we want body cameras, no, this isn’t the right time to do it’ until these issues are resolved, but I believe these issues will be resolved.…I don’t think the work that we do will be for naught…the technology will get better and better and it will get easier to process this video….” said Jelcick.

He said that every department who currently has body cameras has started with pilot programs, with cameras on just two or three officers to start, to figure out the work and cost involved.

Committee member Clinton Petty admitted, “There’s a lot more than I ever thought there would be to it.”

Editor’s Note: While writing this article Thursday morning, multiple calls were in progress involving the Olympia police department, including an attempted suicide, a man with a history of cardiac arrest experiencing chest pains, and a blocking collision as the result of an alleged stolen car/hit and run incident on Cooper Point Road and Black Lake Boulevard near the entry to Haggen’s grocery store. Several suspects, possibly four, in the stolen car fled and multiple officers were dispatched to the scene, who worked to track the suspects fleeing in different directions. One officer witnessed one suspect flee to a nearby homeless encampment and change clothes.


For more information about the City of Olympia Police Department, the Ad Hoc Committee on Police and Community Relations, and other Olympia police related news, go to Little Hollywood, www.janineslittlehollywood.blogspot.com and type key words into the search engine.

For more information about the Ad Hoc Committee on Police and Community Relations, go to www.olympia.wa.gov

Social Networking Sites Buying Internet Original Content

 

WSJ today gives overview of social networking sites getting into business of producing online video. Article features three shows:

- Kate Modern, a mystery on social networking site Bebo.
- Roommates, a soap opera on MySpace TV
- Special Delivery, a hidden camera reality show on MySpace TV.

It notes that while MySpace and Bebo push into original content, Facebook hasn't and other internet companies - AOL and Yahoo, specifically - are backing away from it.

Article doesn't disclose budget for KATE MODERN but says Bebo sells sponsorships at $400,000 for six months.

Claims production budgets for Roommates and Special Delivery are about $1000 per minute.

Article also notes that the shows themselves aren't very profitable to their writer / producers, who are portrayed as doing internet stuff to build assets and relationships "in a bigger entertainment medium."

If you've watched these shows, use the comments to tell us what you think.

If you've had experience trying to sell a show to Bebo or MySpace or any other company investing in internet original content, tell us what can about the process: deal points, budgets, development process.

WSJ article also links to excellent post by Kara Swisher where she takes Hollywood to task - creative talent as well as the companies - for being risk-averse and lazy and for making "Web material that clearly is derivative of current media like television, rather than [trying] to imagine a whole new way of creating content that reflects and excels on the online platform."

Web Pilot

 
As we expand UH into a resource for the talent community exploring the creative and business aspects of new media, we will post bits of news about what's going out there. Comment, question, send us posts about what you know and what you're doing, and look for the new UH: Artists l Audience l Business in the coming weeeks. -TES

NewTeeVee writes today about UNDER THE ARCHES, a "reality" show that began as a series of short videos online and is now being turned into a "pilot" by a company called Madwood Entertainment.

NYU student Sean Patrick Murray, who created the show, describes it on Facebook as "8 college kids in NYC, the real "Gossip Girl." You can see the 7-minute pilot there or get a taste here on the Gawker post, which described the show as "reality schtick - [all] about the fast-moving-cloud shots, the angsty Z-100 soundtrack and the whiny blond chicks" and creator Murray as "either a complete genius or a total tool."

According to NewTeeVee, the distribution plan is "to launch a video destination site that will stream ad-supported shows for free" and then “hyper-distribute the show to other video sharing-sites and social networks."

I like that plan to build audience, but whether it's already the big win Murray suggests or just the beginning of a strategy still to be tested, we'll see. What do you think?

Speechless #35, Part 2

 


See Part 1 here.

See all the "Speechless" videos:
Brightcove (hi-res)
YouTube (low-res)

"You're Sure You're Not In The Guild?"

 
Speechless # 35. Afghani sports, headless goats, the importance of inspirational movies, and yes, Buzkashi is real.


I seriously couldn't make this shit up if I tried.

Alan Rosenberg: These are Tough Times

 
Jeff Berman also spoke to SAG President Alan Rosenberg at Friday's BAND AID concert to benefit the Industry Support Fund:


Of note: Rosenberg reads a letter from Academy Award nominee Viggo Mortensen stating that he will not cross any picket line at the Oscars.

Verrone: If We Lose That Solidarity, They Take Advantage of It Big Time

 
UPDATE: WGAw membership meeting this Saturday, February 9, at 6:30 PM. Shrine Auditorium, 649 W Jefferson Blvd 90007.

Last Friday, WGAw President Patric Verrone gave this interview to United Hollywood's Jeff Berman. When asked about rumors, Verrone says flatly, "They're never true."

The Negotiating Table (WARNING: NSFW Puppets)

 
Not that any kind of puppet video is really appropriate for work. Video written by Seth MacFarlane. Featuring Josh Radnor, Kat Foster, Nick Kroll, John Viener, Seth MacFarlane, and Erik Weiner. Directed by Bryan Carmel and Brendan Colthurst.

What Have Unions Ever Done For Us?

 
From Australia:

Jim Lehrer Report: the Internet and the Strike

 
"The Newshour with Jim Lehrer" (PBS) reported on how the internet is at play in the Writers' Strike. Featuring an interview with Shawn Ryan, and clips from the first Strike TV meeting. Check out the clip at this address:

http://www.pbs.org/newshour/video/module.html?mod=0&pkg=25012008&seg=4

Speechless #34: Interim Athreement

 
The latest from "Speechless" starring, Maggie Gyllenhaal, Zoe Kazan, Allyson Sereboff and Diana Paschal.


See all the "Speechless" videos:
Brightcove (hi-res)
YouTube (low-res)

Strike Wars Video Picked Up By "Wired"

 
"Wired" Blog Network has picked up one of our favorite entries to the FairDeal4Writers Contest -- Strike Wars.

It was created by supporter Rubberpoultry from Ohio, with some pretty impressive effects work and a truly epic storytelling sense.



Enjoy the satire. We all need to be able to laugh once in a while.

Tony Gilroy: It Has to Be the Right Deal

 
WGAE member David Steven Cohen sent us this video of Tony Gilroy on the day he was nominated for two Oscars. (Congrats, Tony!)

Tony mentions the need to take a deep breath and not "blog the DGA deal to death." Alas, guilty as charged.

Daily Show and Colbert Writers - Mock Debate in DC

 
Zach Pentel from
CampusProgress.org sent us these videos. Check out their coverage of the event here.

Here's video of the mock debate in its entirety:


Some of the congress members' responses:


WGA Member Allison Abner, who helped organize the event wrote the following report:

The WGA had a great day in Washington yesterday. The event was hosted by Reps Nadler D-NY, Weiner D-NY, Schakowsky D-Ill, Watson D-CA. Each host put in a word in support of the striking writers and vowed to aid us should we need help with negotiations this go-round.

The highlight for Congressmen/women and their staffers was the standing-room only mock debate between the Daily Show and the Colbert Show writers. "Daily Show" writers Rob Kutner, Tim Carvell and Jason Ross represented the WGA. On the other side, in suits, was the Alliance of Motion Picture and Television Producers, played by "The Colbert Report" writers Michael Brumm, Peter Grosz and Tom Purcell. The debate was 'interrupted' by protesters (writers Kevin Blyer and Peter Gwinn) who were dragged out by WGAe President Michael Winship. It was every bit as smart as you'd expect from such incredible talent as these writers. And honestly, people walked away more informed than when they came in.

The goal in bringing this mock debate to Washington was to provide a national platform for our issues, to take it out of LA and NYC, and explain (in a fun and instructive way) why we're on strike. We got a ton of press (AP, Reuters, LA Times, Washington Post, Roll Call, Politico among them).

We (which includes WGA ex director Mona, assistant director Ann Tobac, our fabulous Washington point person Margaret Cone, and Sherry Goldman, our pr person out of east) also met with members of Congress on judiciary, labor, and telecommunications. We spoke to them about the state of negotiations, our hope that we'd reach a settlement soon. We also discussed issues like the importance of residuals -- both as a form of what I call R&D, which are scripts created outside of the development system such as Desperate Housewives, that we finance on our own dime; and as part of our expected income. We also discussed how residuals from writers are different than they are for directors, and how that affected the DGA deal.

But here's the interesting part -- and what will come to be the future direction we will have to take as writers: the issue of COPYRIGHT. When the WGA formed, we wrote away our Constitutional right to own our own material in exchange for residuals. By the way, we are the only writers in the WORLD in this situation. Like a novelist, songwriter, playwright -- the concept, the idea begins with us. We fill the blank page. And like any other artist who does the same thing in different form, we deserve the right to own our material.

The example I used was the trend among artists in the record industry, who are now licensing their masters back to the majors to exploit for a set number of years (generally 7), then rights revert back to us. I explained that many artists have made their pensions and most of their income on the latter portion of this deal. And for tv/screenwriters this would also hold true: who knew the A-Team would one day be available on DVD and itunes? And who knows what other uses there will be in the future?

Going forward into new media (internet, phones, something we haven't yet invented), we should lobby to retain our copyright. This is the third-rail of studio/WGA negociations, and if we don't work towards this, we will very possibly be out on the line again in another 3 years fighting to get paid another sliver for our work.

That being said, members said they would look into these issues, as they require legislation.

All in all, it was an incredible day on the Hill, except for the part where Disney's lobbyist was following us around, including to an event across town (where there were only 15 other people in the room!). And he was furiously taking notes without saying a word; if I get blacklisted, you'll know why. Also in attendance at the mock debate was Time-Warner's guy.

The studios are used to owning those halls, and never expected us to come there and be so high profile, not to mention successful. Hopefully this will be the start of a beautiful relationship between the WGA and the Hill.

From DC
Allison Abner

Speechless #33 feat. Brian Cox and Jennifer Jason Leigh

 


See all the "Speechless" videos:
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YouTube (low-res)

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